O Contato Improvisação como Vibração Homóloga: plano de imanência, gesto e encontro no ato da dança

@article{frinhani2026o,
  title   = {O Contato Improvisação como Vibração Homóloga: plano de imanência, gesto e encontro no ato da dança},
  author  = {Ana Carolina Frinhani and Jonas Karlos de Souza Feitoza},
  year    = {2026},
  journal = {Revista Internacional Educon},
  doi     = {10.47764/2026.e12.1894},
  url     = {https://doi.org/10.47764/2026.e12.1894},
}

TY  - JOUR
AU  - Ana Carolina Frinhani
AU  - Jonas Karlos de Souza Feitoza
TI  - O Contato Improvisação como Vibração Homóloga: plano de imanência, gesto e encontro no ato da dança
PY  - 2026
JO  - Revista Internacional Educon
DO  - 10.47764/2026.e12.1894
UR  - https://doi.org/10.47764/2026.e12.1894
AB  - This article investigates gesture in Contact Improvisation (CI) as a relational event that emerges from the encounter between bodies in situation, shifting its understanding away from mere motor execution or individual expression. The objective is to think of gesture as homologous vibration, that is, as an intensive modulation produced within an immanent plane of cooperation in which movement, perception, and thought are co-implicated. The research is justified by the need to deepen approaches that understand CI beyond a dance technique, recognizing it as a practice of real-time composition and the production of presence. Methodologically, the study adopts a theoretical-conceptual and practical-reflective path of an immanent nature, not aligned with preexisting methodological models, articulating conceptual reflection, engagement with practice, and writing as an operation of thought. The theoretical framework engages contributions from philosophy and psychoanalysis, particularly Suely Rolnik, Gilles Deleuze, and Félix Guattari, as well as authors from the field of dance such as Steve Paxton, José Gil, and Jonas Karlos Feitoza.
ER  -